Mark Lanegan Band: Princess Pavilion, Falmouth

Gig Reviews

“We love you Mark!” screams a heckler in the audience. He was excited for one reason: Mark Lanegan had finally arrived.

Falmouth is a picturesque, coastal resort, primarily occupied by students and the retired. The Princess Pavilion is proof of this: Posters lining the walls of tribute acts and weekly club nights, while in the centre is a quaint, Edwardian bandstand; its beauty enhanced in the evening sun. An unlikely venue, perhaps, to hear Lanegan’s signature rasping croon.

In fact, it is a miracle that Lanegan is here at all: homelessness, imprisonment, substance abuse and rehab would test, if not destroy, the average man (that’s before we get into the demise of the Screaming Trees). Ironically, the 48-year-old outlaw is currently enjoying – although he never looks like it – his most successful spell: Blues Funeral was released to rave reviews; topping 2004’s Bubblegum, while he has recently been confirmed as Mad Season’s new vocalist.

After being treated to Creature with the Atom Brain’s lurching, bleary-eyed stomp, Lanegan, accompanied by his hand-picked four-piece, appears from the shadows. Dressed naturally in black, he opens with ‘The Gravedigger’s Song’ before trudging through ‘St Louis Elegy’ – delivering each lyric with a haunting, reflective grimace: “If tears were liquor / I’d have drunk myself sick.”

Keeping conversation to a minimum, Lanegan quipped that “it was an honour to play here,” and seemed genuinely taken with the town. Rather than exiting onto his grand, black tour bus, he made for the merchandise stall; interacting and signing autographs for star-struck locals. Come back soon, please, Mark.


Ghost: Download Festival 2012

Gig Reviews

Since their 2010 debut, Opus Eponymous, Ghost hasn’t been short of followers: from James Hetfield to Phil Anselmo, the band’s uniqueness in an era of metalcore hasn’t gone unnoticed.

With only one album of material to choose from, the five ‘Nameless Ghouls’ – led by their prophet, Papa Emeritus – are meticulous with their set; chopping and changing, without losing any their mystic. Making their way on stage, backed by a cathedral backdrop, there was, however, one noticeable change: black-hooded robes had been replaced by sparkling white robes – it was Sunday after all.

Despite their new white cassocks having an unfortunate KKK look about them, the crowd’s attention was solely on Papa Emeritus. Dressed in his usual cardinal attire, complete with skull mask and censer; Emeritus, like Pope Benedict XVI overlooking St Peter’s Square, is the master of all he surveys. Pausing briefly to ask the crowd if they were ready “to look into the eyes of the ‘Prime Mover’,” it is his lack of dialogue that upholds this Satanic-inspired aura – well, that and face paint.

With only nine tracks to choose from, and an eerie cover of ‘Here Comes The Sun’, the band’s 45-minute set was probably about right, however, with new material on the way, and an ever-increasing fan base, the Jim Marshall stage beckons.